The Chinese are gaining power and influence not just in financial, technical, economic markets, but now also in the Art market. Til recently, they have mainly been buying art within their own cultural sphere. They have not been prominent buyers in the western art work...til now. Soethby's and Christie's are expecting major sales to the Chinese. Russians and Ukrainians are also re-emerging, but the rise of the Chinese art buyer is fairly new.
This is interesting for a few reasons (at least to me) - raising 2 paradoxes (and you know me and Paradoxical Thinking J )
- Just as the Chinese are shutting information gates to the western world they are acquiring archetypical symbols of the western world - 20th century art; this highlights a tension between the ‘wants' of the political base (who are shutting the info gates) and the ‘wants' of the populace (well, the rich populace) who are seeking ownership of the west's cultural symbols - for pure investment, for greed, for ‘prestige', for whatever else (and I could think of some not so positive reasons)
- Art is an intensely private, intimate act and ‘product' - it is a revelation of the artist's soul - one could argue when you by a painting you are buying a piece of that artist (or you could argue you're helping him/her pay for college - I used to think that actually of Robert Motherwell's paintings which all looked alike in his 1957-60's period) - and yet at the same time, it is a very public asset - a joy and gift to the public to view and experience on both an individual and a collective basis.
So what will this mean to the art that is acquired? Will it disappear from the public? Many private collectors make parts of their collection available to the public via loans to galleries and museums. Obviously some stays private in the west, but as this art is acquired, will it be shared with the Chinese population at large let alone the rest of the world? Is a treasure for all going to be ‘gated' just as information is?

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